Sorry state of my studio

 

The sad state of my studio right now.

 

Oh well. Might as well have a glass.

Sharon 

Bliss in the studio

make a book, book binding how to, sketchbook, recycled

Last weekend, for the first time in ages, I was able to play in my studio. Not only that, I made something -- something I like. It was NOT an easy project, and I'm happy I stuck with it. I made a longstitch book with a leather cover cut from a pair of old motorcycle pants from the 1930s. It is the second book I've made from these pants. You might remember the first one, here.

 
For this book, I decided to use paper from an old, turn-of-the-century ledger book for the inside pages. Seemed like a cool idea. All of that incredible pen-and-ink handwriting from a century ago, to become overlaid with sketches and writings from the here and now. Layers of meaning and marks and generations.

I designed my own stitch for the spine. Here is the template lying on the leather, waiting to be punched:

Then I punched the signatures (for those of you who are not bookbinders, a signature is a single group of folded sheets):
In this photo you can begin to see a hint of the problem I encounter later.

It's starting to look like a book! Time to start sewing!

OK, this is when the trouble started. Because the paper is over 100 years old, I was halfway through sewing the second signature and the paper started breaking between the holes. Another problem causing strain on the holes was that my thread was too thick.

So I switched to a thinner thread and decided to reinforce the signatures. I wanted to be rather ad hoc and not over-think it -- the way you see old books or old sheet music repaired with no thought for aesthetics, only function. So I reinforced the inside and outside of each signature with drafting tape, which you can see in the fourth photo from the top. I was happy with it and liked the way it looked. But when I went to punch through the drafting tape, it also ripped. Arrggh. At this point, I was thinking I might have to abandon my ledger paper idea. I thought to myself, 'What do I have floating around the studio that is strong enough to reinforce these signatures without ripping?' And I found a roll of espresso brown bookcloth. So I cut it into strips and reinforced the outside of each signature with it:
OK, now we're cooking with gas!

On just one of the signatures, though, the holes were still ripping on the inside of the fold. So I decided to further reinforce them with some vintage postage stamps:

It still ripped through one of the stamps when I sewed, but no matter -- it's a strong enough binding, which was the goal.

 
I finished sewing, tied it off with a couple of tiny, square shell buttons, and finally, the result!





I'm really happy with the way it turned out. I've listed it for sale in my Etsy shop.  It would be such a wonderful journal or sketchbook for someone who does altered books or journaling. 

Sharon

My Hipsta studio

My friend Ria, of My Mommy Manual, visited the studio last week with her little ones. The kids and I made books while Ria took Hipstamatic photos of the studio. Here are a few of them:









Pretty cool, huh? For more information on the Hipstamatic iPhone app, click here.

Sharon

Around the studio today

Here are some photos from around the studio today. No beauty shots, just some snaps of how it looks right now.

Wide shot of the studio. Click to view larger.

Bookcase full of old books. Some I will keep and some will be made into journals or other projects. That's the leg of my tripod extending into the picture.

Top of the bookcase with two small collages, one completed and one in progress. I found the two small polka dotted feathers on a walk yesterday afternoon.

Bulletin board

 

Recent purchases.

Piano rolls.

Three shoe boxes full of dirty old postcards from a railroad company in the early 1900s. I use these for the Vintage Index Card gift tag sets. (The boxes are cool too.) 

Vintage sewing patterns

Office supplies, vintage and otherwise. Many thanks to my sister for the thumb tacks, brads, etc. in the cool vintage boxes.

Stack of old ledgers from the turn of the century. From a dry goods company down South.  These are 10" x 14" each and very thick, filled with beautiful handwriting.

French titles.

Stack of old atlases, photo albums and a bundle of letters from Cecil Quackenbush to his mother. He was a rounder and a rambler--traveled around the West and Southwest picking up jobs as a movie extra in early silent Westerns, a ranch hand and a laborer. He wrote faithfully to his mother in Indiana wherever his ramblings took him.

And finally, Ellie, the (other) love of my life.

Hope you've enjoyed the tour. A memento of my life and studio at a singular moment in time.

Sharon 

Working studio

It was rainy today, perfect for holing up in the studio and making stuff. I spent the afternoon working on a custom bulk order for some Vintage Index Card gift tags and Vintage Paper key tags. Here is what the studio looked like (click on any image for a larger view):

The studio is not as dark as it looks in this picture.

Some book "guts" I am using for the key tags and other things. My Teflon folder, one of my two Japanese screw punches and a bookbinder's awl are in the foreground. TIP: Teflon folders are better than bone folders because they do not rub shiny areas on your paper.

Vintage paper key tags for the order.

These bowls, filled with postage stamps, ends of book spines and other pieces and bits, are always on my work table.

Coffee mishap. This shot is for Ann and Elizabeth. ; )

We see all of these photos online and in magazines of beautifully designed, perfectly organized arts studios. Thought you might like to see what a studio looks like when work is in progress.

How do you keep your studio? Is it ready for a photo shoot? Messy, but functional? One step away from condemnation?

Sharon